The best science artists (according to the European Space Agency)

I am making this list based on certain online sleuthings I made a few months ago.

There was an art competition announced … and it was an art competition that specifically had to do with satellites and climate change. Those were two topics heavily featured in my PhD dissertation, so I thought, why not enter? Especially because the guidelines specifically said, you can enter as your artwork a film or an animation. Animation is the only sort of artwork that I know how to make, so I figured I could come up with something.

The competition was run out of the European Space Agency (ESA) climate office. I decided to make an animation celebrating all their satellites. The winner got 30,000 Euros. It was too good of a chance not to take.

Before I started my animationi, I went about scouting the Twitter account of the ESA climate office, and was I in for a surprise. They were announcing their competition on it, sure enough, but then, they were also contacting lots of individual artists and telling them … hello! Check out our contest, we like your art, and we hope you enter. Of course, they never contacted me, so I wasn’t sure what the point of entering was at all. They seemed to already have a short-list developed.

But lets take a look at some of these favored artists!

Someone called Ruth Mottram, who is a climate scientist working on Greenland, tweeted at Jackie Morris Art, telling her to enter. The ESA climate office saw the tweet, and said:  lovely work! Hope you enter!

Looking myself at Jackie Morris’ images on her Twitter feed, yes, they are very beautiful. Look at this.

After that, the Climate Office didn’t wait for recommendations from people. They just started tweeting people outright asking them to enter. First, they tweeted at Ralf Schoofs. I looked through the illustrations on his Twitter feed, and I don’t know … They are nice, but maybe a little staid. Except I did like this one of little fishies.

Then the Climate office went and tweeted at a British astronaut. He doesn’t seem to be an artist at all, but I guess they were hoping?

Then, per another recommendation, they told “the Light Dreams” that they’d love to see a submission from him. The Light Dreams got a little huffy, and said, did you just call me a budding artist? I’m way above budding. So let’s take a look. I looked at the art on his pinned tweet. It is not exactly the style of art that I like, and maybe a little generic-looking, too.

They tweeted at Dr. Niamh Shaw. She has a Ph.D., and does art, and is she an astronaut to boot? She’s a big deal apparently. Looks like she does theatre, though I’m not sure I found real samples of her work.

At this point, the ESA Clean Space Office got in on the act, too. And they started helping out the Climate Office, and tweeting at artists as well. They tweeted at someone named Marianne Tricot. And the Climate Office was all, thank you so much! So what kind of artist is Marianne Tricot? Well, I don’t know, because I didn’t find enough images of art on her Twitter to get a clear view, and her website is down. “In maintenance mode.”

Then someone named Peter tweeted to someone named Vero that he hoped that she would apply. Her art looks really cute. And the Climate Office thought so, too, because said they hoped she would apply, as well. She did indeed apply, but she waited till the last minute (as did I) to upload her submission, and the website got stuck (as it did for me). So she tweeted back and they told her, don’t worry, we’ll make sure it gets submitted.

A few days later, the Climate Office, tired of a step-by-step approach, went ahead and tweeted at a bunch of artists en masse. But none of them were that impressed at the invite, apparently, because none of them answered. So who are these illustrious ones?

First was Melissa Gomis … I couldn’t find much art on her twitter page, but I did find a video she’d made on Vimeo. I thought it was kind of boring. And too abrupt in transitions, no?

Second was Zahra Hijri. Lookie there, first [and only] non-white person they tweeted at. I can’t find much art on her twitter page, but any case, she seems to be a very accomplished journalist.

Third was Susan Hassol. She seems to be a “big deal” as well. She makes climate change videos. What do you think? I wasn’t quite in the mood.

Fourth was Rosamund Pearce. It looks like it’s her job to make visualizations for the Economist magazine. I dislike that magazine, first. But this video she made is pretty cool. It has all the content you need right in the video; you don’t need a caption, which is nice for when you’re just scrolling through a Twitter image feed.

Fifth was Ed Hawkins. Another “big deal”, it appears. But where is his art? The little sun and rain cloud at the top of his website?

That was the end of that list. But then someone named Knurek tweeted to someone named Kiciputek to make a submission. And the Climate Office said, that would be lovely. But Kiciputek has canceled his/her account, so I don’t know what’s on it.

And that was a wrap. None of them ended up winning, though.

I applied with my little animation. I knew it was a long-shot, but I thought, I can’t pass up the chance (I didn’t have a job at the time!) The submission website got stuck as I tried to submit, like with Vero. I tried it again and again, and it finally worked on the third try. At least, I thought it did. I was able to check online to see if my video was ever downloaded by the Climate Office, and it was not. I emailed them, and it hadn’t arrived. I had my confirmation email and everything, so I sent them that, plus sent them the video directly, and I guess it got considered in the end.

The person who won was Shane Sutton. Looks like he does all sorts of large-scale art, so I think it must catch the eye really fast. He’s what I’d call a “real” artist — meaning he does it with his hands. But can you tell what this is supposed to be?

 

A very girly science feed

I am working as a science communicator, like at a real job, can you believe it?

Well, I like shiny things, a la Taylor Swift, and I like pretty colors, and softness, and sparkles and flowers and things like that. So my plan is to use my new position to populate the online presence and outreach presence of the project I’m hired under with all those favorite things of mine, in the name of science.

So far, I’ve mostly made Twitter stories. This one has pretty flowers and pretty glaciers with a sunrise behind them, and a cute girl, too! This one was a little more sedate. Nothing very silky and golden and whimsical about it, but it’s still okay.

Right now, I’m trying to make a series that I shall call, “how we know what we know.” I am trying to make the introductory frames, first. I’ve had to do a couple of takes. My first attempt looked like this. I loved the pretty ocean water and its rich, sparkly green-ness, and I loved the glacier, and I loved the diamond moon, and the blossoming pink tree … but then I realized that it was way too busy.

So I had to take out a lot of the pretty stuff, and I ended up with this, instead. But that’s okay, because I have my girl back in it, and she’s not just another white girl, and it’s a cleaner and clearer view of things overall. It’s just a work in progress for now.

I made these videos in Blender.

Pretty stationary

As I wound down my PhD, I started spending more time at the UNC Makerspace. That’s where you can use a laser cutter or a vinyl cutter, do some 3D printing, or duck into the woodshop, and use fancy bottles of glue, and get access to paint and a sewing machine and more and more. I always wish I could have spent more time there.

I made a design of an angel based on an outline from works of a Swedish sculptor. A student working at the Makerspace helped me figure out how to go from the picture of the angel to just the outline that I needed in Adobe Illustrator.

First, I just made stickers of the angel, cut into vinyl:

IMG_20180509_163510

I tweaked it a few times, and finally, I stuck two angels together, so that they formed the letter “L”. I also spelled out o -v – e, so the entire thing looked something like:

love

And then, I half-way laser-cut that angel onto this piece of printed paper:

IMG_20181101_113033 caroline

It’s only half-way laser-cut so that the angel doesn’t fall out. So you can see the outline, but the angel stays attached. Who knew a laser could cut a depth with that much precision?

I already wrote the letter on it, so the streaks are where I smeared the ink out. I thought the angel looked very nice with the fairies, and you know, this is a one of a kind production! No other piece of fairy paper like that has this exact angel on it. So I sent this to a very special person.

And I also made some other laser-cut “angel L’s” that did pop out, like this:

IMG_20181013_122657

I think they are very, very pretty. I always wondered, when I saw intricate designs cut out, “did they really do that with scissors?” Now I know it’s with the laser!